The myth of scientific neutrality – educational films in schools during the Cold War

In educational films for schools, i.e. in films made for teaching purposes in the GDR, the natural sciences were brought to life on screen. These films not only conveyed subject specific knowledge of physics, chemistry and biology into the classroom, but also presented images of modern natural sciences in the GDR. The positive, lasting reputation of science education in the GDR seems to go hand in hand with a fading of its ideological orientation. This case study investigated the extent to which scientific educational films conveyed images with political and pedagogical impact while also imparting specialist knowledge.

The aim was to train 'socialist personalities' who were assertive, fact-oriented and committed to the . To this end, educational research in the GDR attempted to further develop and utilise film as an educational tool based on efficiency considerations. The educational films were not only part of a specific audiovisual culture and a repository of intentionally shaped knowledge content and teaching practices but were also integrated into processes of historical change in media and technology. The project analysed the factual content and forms of visualisation updated in film, as well as contemporary modes of reception. It identified the institutions of educational and instructional films in the GDR and examined research into the use and effectiveness of teaching materials in the GDR.

Research into educational films in the GDR was divided into the areas of schools, and continuing education, and universities. As part of a lively, state-commissioned research effort into the effectiveness of teaching and learning materials, several studies were carried out with lesson observations and questionnaire evaluations on both didactic use and learning success in schools and universities. The results of these studies were incorporated into handbooks, manuals, and unpublished dissertations. The analysis of documents from these diverse writings made it possible to identify the design principles of film production and practices of film use in the GDR from a media-historical perspective.

Sequential film analyses of GDR educational films also provided information about the use of specific design tools. The focus was on scientific narratives and their ideological connotations. For the project, a partial inventory of 16mm films from the former Weimar School Film Archive (Weimarer Schulfilmarchiv) was digitised. However, the key finding is that the entire inventory of educational films produced in the GDR cannot currently be accessed, as no filmography is available to date and the film inventory at the Federal Archives (Deutsches Bundesarchiv) can only be researched to a limited extent. For the project work, the film titles that were listed between 1950 and 1990 within the subjects of chemistry, biology and physics were identified from GDR teaching material catalogues. These catalogues are accessible via the Research Library for the History of Education at DIPF (Bibliothek für Bildungsgeschichtliche Forschung). The data obtained in this way was compared with that of existing film databases and supplemented with project-relevant metadata – this process is not yet complete.

Even though GDR educational film theory texts emphasised the motivational power of these audiovisual media, there has been little evidence to date of how students responded to the films. In the second phase of the project, the study turns its attention to the students. It also examines the role that the supposed requirements of a played in educational films that became relevant for the GDR's education policy measures from the 1970s onwards.

Research results

In the GDR’s scientific education films, politically impactful images were conveyed at the same time as specialist knowledge.

Der Film “Die Atmung des Menschen” ist ohne Ton und etwa viereinhalb Minuten lang. Er wurde 1982 vom Institut für Lehrmittel der Akademie der Pädagogischen Wissenschaften der DDR, für das Fach Biologie in der 8. Klasse herausgegeben und vom DEFA-Studio für Dokumentarfilme produziert. Der Film zeigt Aufnahmen von Jungen in einheitlichen Trikots auf einem Sportplatz in Potsdam, die rennen und ihr Lungenvolumen messen. Kombiniert wurden diese Szenen mit bewegten Röntgenbildern der Lunge und abstrahierenden Trickaufnahmen zur Bewegung des Brustkorbes. Es folgen Unterrichtsszenen in einem Klassenzimmer in welchem ein Fenster geöffnet wird und weitere Aufnahmen von jungen Erwachsenen beim Sport und beim Rauchen auf einer Bank im Freien. Dieser Film setzt Vorwissen voraus und vermittelt gesundheitliche Zusammenhänge, mit der Botschaft die Atmungsorgane gesundzuhalten und einer Ermüdung bei „geistiger Arbeit” vorzubeugen.

The organisation of the production and distribution of GDR educational films was state-controlled and closely monitored.

Team
Dr. Kerrin von Engelhardt (formerly Klinger)

Humboldt University of Berlin
Institute for Education Studies
History of Education Department
Orcid-Nr.: 0009-0009-9489-5071

kerrin.engelhardt@hu-berlin.de